„Es gibt keine Tyranneien, die nicht versuchen, die Kunst einzuschränken, weil sie die Macht der Kunst sehen. Kunst kann der Welt Dinge sagen, die sonst nicht geteilt werden können. Kunst vermittelt Gefühle.“

- Volodymyr Selenskyj, Präsident der Ukraine

Kerry James Marshall

(c)image: Courtesy of the artist and the Jack Shainman Gallery, New York
Believed to be a Portrait of David Walker (ca. 1830), 2009
, 97.47 x 78.42 x 5.39 cm
acrylic, pvc

Believed to be a Portrait of David Walker (ca. 1830) (2009) references the style of 19th century stately portraiture. In place of the image of an aristocrat or king, Marshall portrays a black person as his protagonist, in three-quarter profile, wearing a military-like costume.

According to the title, the subject might be David Walker, a key figure in the struggle to abolish slavery in America. His mother was born free, but his father - who died prior to Walker's birth - was a slave. Though Walker had free status by grace of his mother, he was witness to slavery's cruelties. In 1829, Walker published his famous pamphlet Walker's Appeal in Four Articles; Together with a Preamble, to the Coloured Citizens of the World, but in Particular and Very Expressly to Those of the United States of America. In this emotional text, with well-chosen expletives, he urged slaves to rise up against their masters, regardless of the great risk involved.