"Er bestaan geen tirannieën die niet proberen de kunst in te perken, omdat ze zien welke kracht kunst heeft. Kunst kan de wereld dingen vertellen die op een andere manier niet gedeeld kunnen worden. Kunst brengt gevoelens over."

- Volodymyr Zelensky, President van Oekraïne

Jan Fabre

(c)Angelos bvba
American Works and Window Performance, 1980
Performance , 03:00:00

5.12.1980
Antwerp, Galerie Blanco

Als hommage aan zijn verblijf in Amerika wilt Jan Fabre zijn ervaringen delen. Hij laat buitenwippers de galerie bewaken met baseballbats en serveert Campbell’s soep. De kunstenaar plaats zich in de vitrine, als een prostituee, en maakt tekeningen met lipsticks. 

'It's three in the morning.

I've just got home.
The preview at the Blanco gallery was lively.
Energy, vitality and an ongoing performance.
The public were standing outside waiting to get in.
(A bit like the atmosphere of Studio 54 in NYC.)
Some people were angry, of course,
because they had to wait and pay to get in.
This was 'never done' in Antwerp
and the locals became aggressive.
But I was prepared.
The gallery was closed off with thin ropes
and I had put two men with baseball bats
at the door.
I had a wonderful time watching the reactions.'

(Jan Fabre, Antwerp, 5 December 1980)

'Today I saw some photos of my
'Window Performance' at the Blanco gallery.
In some of them I look like Gust the Gorilla
at the Zoo, sitting eating monkey nuts.
In another I'm a young art-whore
who takes himself too seriously.
And in one photo I look like I am:
dangerous and unpredictable.
(I'm afraid of myself when I see myself like that.)
ART KEEPS ME SANE?'

(Jan Fabre, 8 December 1980)